Museum Monday // Museum of Contemporary Art


During my spring break, I journeyed to Chicago to see a few museums and eat some delicious food. My favorite museum that I went to was the Museum of Contemporary Art. I was so glad to be in the warmth of the museum on a cold, blustery, afternoon!

On to the actual material in the museum. The MCA has several rotating exhibitions at all times, and I was lucky enough to be able to see their exhibit entitled Endless Summer. The exhibit featured 10 or so different works by artists such as Edward Ruscha, Robert Irwin, and Craig Kauffman. As a whole, Endless Summer was an exhibit that offered a glimpse into the minimalist style of Los Angeles in the 1960’s. Noticeably different from East Coast minimalism, Endless Summer was influenced by surf culture and SoCal’s famous weather. These artists used some of the most cutting-edge materials such as plastic and fiberglass in their works.

I never thought that I would be the kind of person to enjoy minimalism, but I was entranced by the smooth textures, and light patterning of the works on display at the MCA. As minimalist artists strove to break the long line of traditional academic art and eliminate the differences between painting and sculpture, I assumed that minimalism was not the style for my painterly heart. However, I was surprised by how artistic and articulate these works could be.

Famous Friday // Sistine Chapel


Sistine Chapel.jpg
Michaelangelo, The Ceiling of the Sistine Chapel, fresco, 1508-12. Location: Sistine Chapel, Vatican City, Rome. 


It’s hard to believe that it’s been almost 4 years since I was in the Sistine Chapel! In 2014, I went on a 30 day tour of Europe with EF College Break (and I had the time of my life!) where we visited 13 countries, including Rome where we were able to see the Vatican Museum and the Sistine Chapel. Unfortunately for me, my visit to the Sistine Chapel was cut short due to a sudden onset of illness. Thankfully, I was able to enjoy the incredible Vatican Museum, and Michaelangelo’s famous frescos as well.

The story of these frescos begins with Pope Julius II, who commissioned Michaelangelo to paint the ceiling of the Sistine Chapel to replace the blue starry paintings that were on the ceiling. The Pope originally requested Michaelangelo to paint a geometric pattern surrounded by the 12 apostles. However, Michaelangelo created a different scene. His work was that of what we see today in the ceiling – depictions of the Old Testament. His frescos were likely influenced by a theologian connected with the Vatican. Michaelangelo, at the time, was known for his sculpting abilities, not necessarily his painterly skills. This is ironic because Michaelangelo absolutely detested working on these frescoes and commonly stated that he wasn’t a painter, that he was a sculptor.

The subject matter depicted is varied, and far too intricate to explain in a single blog post, but is divided into three main sections. These sections are The Creation of Heaven and Earth, The Creation of Adam and Eve and the Expulsion from the Garden of Eden, and The Story of Noah and the Great Flood. The sections of the Biblical story is further divided by painted on architectural elements. Here’s a great image that lays out the storylines behind each of the frescos. b4c5a532f526d2bc4d160db5d92ddc5c8e5cb0ea

The ceiling of the chapel is a huge piece of work, and Michaelangelo unified the three main storylines into well thought out, unified, paintings. How’d he do this?

First, through color. The sky of the frescos is dominated by a white-ish, gray color mimicking that of marble. The figures are painted in a sharp contrast to this gray color. The figures stand out by wearing vividly colored garments, as well as having warmly toned flesh. Second, through scale. Michaelangelo used an increasing scale from his seated figures to the ones standing.

Famous Friday // Keith


Chuck Close, Keith, acrylic on canvas, 108 1/4 x 84 in, 1970. Location: St. Louis Art Museum.

Chuck Close achieved notoriety in the art world due to his massive photorealistic portraits, like this week’s Famous Friday artwork – Keith. Close was a pioneer of the Photorealism movement in the 1960’s, but his work quickly moved beyond the bounds of the movement. He developed a system driven portrait painting process which resembles that of photography techniques. The artist worked from a photograph of his subject. Most of his work stems from photorealistic portraitures of himself, as well as his friends and family. He first gridded the photograph, and then Close duplicated the work on his oversize canvas using acrylic paint, and an airbrush.

The size of Close’s work is an important factor. From a distance, Keith appears to simply be a large photograph. However, as you get closer to the work, you’re able to see that the work is not a photograph and is instead a painting. Up close, the image is harder to read because of its size. If you’re standing up close to it, it is impossible for the viewer to see all of the details. Up close, the painting can resemble an abstract painting.


Famous Friday // The Garden of Earthly Delights

Hieronymus Bosch, The Garden of Earthly Delights, oil on panel, 1503-1515, 7′ 3″ x 12′ 9″. Location: Museo del Prado.

Oh, how I love Spain, and Madrid especially. Between the food and the museums alone, I would gladly live in Madrid for the rest of my life. One of the greatest museums of European art, Museo del Prado, is found in Madrid. The Prado is home to a wide variety of art dating from the 12th century to the early 20th century, including the work that’s featured in today’s Famous Friday – The Garden of Earthly Delights. 

The triptych is meant to be read like a book, from right to left. The meaning of each panel is directly tied to the panel proceeding and following it, creating a cohesive narrative within the triptych. The leftmost panel depicts God, who is introducing Adam to Eve. They are standing in a lush green landscape and are surrounded by animals of all types.In the central panel, Adam and Eve are portrayed in the garden of which the work was named after. A myriad of different things is happening in the central panel. We see various nude figures participating in romantic activities, while some figures are displayed inside of eggs or shells. The scene depicts a greedy consumption of all of the delights of the garden. The rightmost panel is enshrouded in black. Humans are huddled together anticipating the torture that is yet to come.

The exact meaning of The Garden of Earthly Delights is not known. The work was perhaps a personal altarpiece that was used as a devotion to then-contemporary conservative Christian views on lust and sin. The work could potentially warn against the perils of what would happen to men if they were to go against the word of God and lead a life full of sin.

Here is an awesome project that goes really in depth into the work.

Famous Friday // Nighthawks


Edward Hopper, Nighthawks, oil on canvas, 1942, 33 1/8 x 60 in. Location: Art Institute of Chicago.

Nighthawks is not only one of Edward Hopper’s most recognized works of art, but also one of the most renowned American paintings as well. The restaurant depicted by Hopper in this painting is supposedly based off of a restaurant in his neighboorhood of Greenwich Village, in New York City. The restaurant has since been demolished but is reminiscent of any burger joint, coffee shop, or diner that you’ve probably ever been too.

Hopper placed the viewer at just the right angle in order to see the scene transpiring inside, but he didn’t give the viewer a way to enter the building so that we could fully observe what is happening inside. Instead, we see four figures. First, we see a couple, a man and a woman. Are they in a relationship? Are they siblings? Next, we see another man who isn’t facing us. Who is he, and why is his back to us? And finally, we see a waiter. Why does he seem so distressed? None of the people pictured are communicating in any way, and something seems amiss. Hopper isn’t telling a narrative in this work, he’s commenting on modern society and the feelings of isolation that we may feel – especially in relation to city dwelling.

The flatness of Hopper’s work allows the viewer to easily project their current mental state onto the canvas. The image can also be viewed within the schism of days gone by. Viewers are invited into a simpler time in America’s past, which brings up feelings of nostalgia.

Famous Friday // The Birth of Venus


Sandro Botticelli, The Birth of Venus, tempera on canvas, 1482-85. Location: Ufizzi Gallery, Florence, Italy.

According to Homer, the goddess Venus was born from the foam of the sea. Shortly after her birth, according to legend, she rode on to the island of Cythera on a giant seashell. This is what Botticelli seems to have depicted in one of the most famous works of art that came from the Italian Renaissance, and was commissioned by a member of the Medici family.

Visually, we see Venus at the center of the painting, being guided by nymphs blowing wind to guide her. She is quickly approaching land where a figure is waiting for her. This figure is known as Pomona, who is the goddess of Spring. Pomona is holding a piece of cloth in order to cover Venus once she arrives on land.

One of the most important things to note about this painting is the obvious nudity of Venus. It was quite rare to depict a nude woman in a painting during the Middle Ages due to prominent Christian ideology. In order to appear more modest, Venus attempts to cover herself using her hair and her hands. This pose is referenced from the Venus de Medici, which Botticelli had the opportunity to study. However, Botticelli attempts to employ humanism techniques into The Birth of Venus. Humanism was a technique that typically referenced Greek and Roman myths. The resurrection of these myths led to the gradual acceptance of nude portraiture that was popular during antiquity.

It’s also important to note that this work was painted on canvas using tempura, which was quite rare for the time. Tempura is a type of paint made with egg whites, which allow for incredible transparency, and visually resembles an Italian fresco.

Famous Friday // Mona Lisa

Leonardo da Vinci, Portrait of Lisa Gherardini, known as the Mona Lisa, 30 x 21 in, 1503-19, oil on panel. Location: Musée du Louvre.

Now, what list of famous works of art would be complete without the Mona Lisa? None! That’s why I’m including one of da Vinci’s most famous works in our Famous Friday roundup. I’ve seen the Mona Lisa several times at the Musée du Louvre, but none of the times were more underwhelming than the first. Why? Because it’s so small! I was expecting the painting to be grandiose in scale, but it wasn’t! Nevertheless, the Mona Lisa is one of the most recognized images in the world and is one of the major icons of the Renaissance.

It’s hard for us (especially us Millenials) to imagine a world without portraits due to the sheer amount of cameras that we have at our disposal in 2018. But, this wasn’t the case for most of human history. In fact, at one point only the wealthy could afford to have portraits commissioned of them. People who desired to have their portrait painted usually had to sit for several days so that the painter could capture their likenesses in the painting. This is likely what happened in the Mona Lisa. Mona Lisa was probably the wife of a Florentine merchant, who never had her painting delivered. Instead, da Vinci kept it with him when he journeyed to France to work for the king.

One of the reasons that the Mona Lisa is one of the most renowned works of the Renaissance was because of Leonardo da Vinci’s use of sfumato. Sfumato is the technique in which oil paints are blended in such a way that they seemingly melt together without noticeable transitions. His use of sfumato is particularly noticeable around the mouth area as her smile seems to flicker before your eyes.

The Mona Lisa was always highly regarded in the artistic community, but it wasn’t until it was stolen that it rose to acclaim in the non-art community. In 1911, the Mona Lisa was stolen from the walls of the Louvre by an Italian handyman who assumed that the painting wouldn’t be missed. However, the museum noticed the missing painting, and soon images of the Mona Lisa were broadcast across the international news sphere. Two years later, the thief was caught and the painting was returned to the Louvre. This art heist helped make the Mona Lisa one of the most famous images on the planet, but also helps attract millions of visitors to the Musée du Louvre each year.