If you’ve been on my blog for a few minutes you’ll likely know that I’m really into the environment and how artists deal with our changing global climate. I thought it would be a good resource for me (and possibly you, who knows!) to document the ideas that got me interested studying this topic. I plan for this to be the first post in a series to help educate all of us on environmental art.
What is Environmental Art?
For as long as people painted imagery of their natural surroundings on rocks, environmental artists have existed. While this certainly intriguing, the study of environmental art typically refers to art made due to concerns of an impending climate crisis. Artists around the globe began creating works made from or referencing the physical world in the mid-twentieth century to draw attention to ecological issues. Many eco-artists explore the relationship between humans and the environment and the causes of climate change. Environmental art doesn’t have to look any specific way and can be made of a variety of materials. Some artists choose to work with recycled plastic, while others use natural materials such as plants, sand, or water.Eco-artists often place their work in inaccessible locations outside of the museum setting, which deemphasizes the need for the art market on their projects.
Major Works of Environmental Art?
Agnes Denes’ Wheatfield–A Confrontation: Battery Park Landfill, Downtown Manhattan (1982)
Two blocks from the World Trade Center Denes planted a two acre wheat field after many months of preparation. Sowed by hand, and maintained for four months Denes and her team harvested over one thousand pounds of wheat on land that was once a landfill.
Michael Heizer’s Circular Surface, Planar Displacement Drawing (1970-1972)
Like many American land artists, Michael Heizer was interested in the transformation of Earth due to human interaction. In this work, Heizer drove a motorcycle in circles in Jean Dry Lake, Nevada. The patterns he created with his motorcycle were then photographed.
Christo and Jeanne-Claude’s Surrounded Islands, Biscayne Bay, Greater Miami, Florida (1980-1983)
Using six and half million square feet of pink woven fabric, Christo and Jeanne-Claude surrounded eleven islands in Biscayne Bay. For two weeks visitors were able to see the islands from the sky, land, water, and air due to built in causeways.
Why am I Interested in Environmental Art?
This one’s easy.
In the spring of 2018 I had a big tumble while roller blading, and concussed myself just in time for finals week. Somehow, I made it through all of my exams and essays but I was still feeling a little wonky from my injury. I spent the first few weeks of summer listening to YouTube vlogs at random. Somehow I came across lots of people who identified with the zero waste movement. These people recycled and reused as many of their everyday materials as possible in order to create less waste that will hopefully save our planet from ecological devastation.
I was intrigued.
That summer I also studied abroad in London and saw works by environmental artists, such as Andy Goldsworthy and Christo and Jeanne-Claude. So, while in the UK, the ideas of environmentalism and eco-art were at the forefront of my brain.
Once the school year began, it was time to choose a topic for my undergraduate thesis. It is probably no surprise that I landed on the reception of Christo and Jeanne-Claude’s newest installation, the London Mastaba for my project. Now, in graduate school I’m still interested in environmentalism, but this time with how eco-artists visualized ideas surrounding climate change.