Chuck Close achieved notoriety in the art world due to his massive photorealistic portraits, like this week’s Famous Friday artwork – Keith. Close was a pioneer of the Photorealism movement in the 1960’s, but his work quickly moved beyond the bounds of the movement. He developed a system driven portrait painting process which resembles that of photography techniques. The artist worked from a photograph of his subject. Most of his work stems from photorealistic portraitures of himself, as well as his friends and family. He first gridded the photograph, and then Close duplicated the work on his oversize canvas using acrylic paint, and an airbrush.
The size of Close’s work is an important factor. From a distance, Keith appears to simply be a large photograph. However, as you get closer to the work, you’re able to see that the work is not a photograph and is instead a painting. Up close, the image is harder to read because of its size. If you’re standing up close to it, it is impossible for the viewer to see all of the details. Up close, the painting can resemble an abstract painting.
Oh, how I love Spain, and Madrid especially. Between the food and the museums alone, I would gladly live in Madrid for the rest of my life. One of the greatest museums of European art, Museo del Prado, is found in Madrid. The Prado is home to a wide variety of art dating from the 12th century to the early 20th century, including the work that’s featured in today’s Famous Friday – The Garden of Earthly Delights.
The triptych is meant to be read like a book, from right to left. The meaning of each panel is directly tied to the panel proceeding and following it, creating a cohesive narrative within the triptych. The leftmost panel depicts God, who is introducing Adam to Eve. They are standing in a lush green landscape and are surrounded by animals of all types.In the central panel, Adam and Eve are portrayed in the garden of which the work was named after. A myriad of different things is happening in the central panel. We see various nude figures participating in romantic activities, while some figures are displayed inside of eggs or shells. The scene depicts a greedy consumption of all of the delights of the garden. The rightmost panel is enshrouded in black. Humans are huddled together anticipating the torture that is yet to come.
The exact meaning of The Garden of Earthly Delights is not known. The work was perhaps a personal altarpiece that was used as a devotion to then-contemporary conservative Christian views on lust and sin. The work could potentially warn against the perils of what would happen to men if they were to go against the word of God and lead a life full of sin.
According to Homer, the goddess Venus was born from the foam of the sea. Shortly after her birth, according to legend, she rode on to the island of Cythera on a giant seashell. This is what Botticelli seems to have depicted in one of the most famous works of art that came from the Italian Renaissance, and was commissioned by a member of the Medici family.
Visually, we see Venus at the center of the painting, being guided by nymphs blowing wind to guide her. She is quickly approaching land where a figure is waiting for her. This figure is known as Pomona, who is the goddess of Spring. Pomona is holding a piece of cloth in order to cover Venus once she arrives on land.
One of the most important things to note about this painting is the obvious nudity of Venus. It was quite rare to depict a nude woman in a painting during the Middle Ages due to prominent Christian ideology. In order to appear more modest, Venus attempts to cover herself using her hair and her hands. This pose is referenced from the Venus de Medici, which Botticelli had the opportunity to study. However, Botticelli attempts to employ humanism techniques into The Birth of Venus. Humanism was a technique that typically referenced Greek and Roman myths. The resurrection of these myths led to the gradual acceptance of nude portraiture that was popular during antiquity.
It’s also important to note that this work was painted on canvas using tempura, which was quite rare for the time. Tempura is a type of paint made with egg whites, which allow for incredible transparency, and visually resembles an Italian fresco.
Now, what list of famous works of art would be complete without the Mona Lisa? None! That’s why I’m including one of da Vinci’s most famous works in our Famous Friday roundup. I’ve seen the Mona Lisa several times at the Musée du Louvre, but none of the times were more underwhelming than the first. Why? Because it’s so small! I was expecting the painting to be grandiose in scale, but it wasn’t! Nevertheless, the Mona Lisa is one of the most recognized images in the world and is one of the major icons of the Renaissance.
It’s hard for us (especially us Millenials) to imagine a world without portraits due to the sheer amount of cameras that we have at our disposal in 2018. But, this wasn’t the case for most of human history. In fact, at one point only the wealthy could afford to have portraits commissioned of them. People who desired to have their portrait painted usually had to sit for several days so that the painter could capture their likenesses in the painting. This is likely what happened in the Mona Lisa. Mona Lisa was probably the wife of a Florentine merchant, who never had her painting delivered. Instead, da Vinci kept it with him when he journeyed to France to work for the king.
One of the reasons that the Mona Lisa is one of the most renowned works of the Renaissance was because of Leonardo da Vinci’s use of sfumato. Sfumato is the technique in which oil paints are blended in such a way that they seemingly melt together without noticeable transitions. His use of sfumato is particularly noticeable around the mouth area as her smile seems to flicker before your eyes.
The Mona Lisa was always highly regarded in the artistic community, but it wasn’t until it was stolen that it rose to acclaim in the non-art community. In 1911, the Mona Lisa was stolen from the walls of the Louvre by an Italian handyman who assumed that the painting wouldn’t be missed. However, the museum noticed the missing painting, and soon images of the Mona Lisa were broadcast across the international news sphere. Two years later, the thief was caught and the painting was returned to the Louvre. This art heist helped make the Mona Lisa one of the most famous images on the planet, but also helps attract millions of visitors to the Musée du Louvre each year.
Oh, how I love gigantic paintings! At more than 12 by 16 feet, The Death of Sardanapalus does not disappoint. The work itself is based on the historical tale of the last Assyrian king, Sardanapalus. According to legend, upon hearing the news of invaders in his capital city, the King decided that he would destroy his Earthly possessions instead of facing a humiliating defeat. Not only were his possessions burned, but so were his slaves and concubines as well. Sardanapalus knew that he would place himself upon the funerary pyre upon its completion.
Delacroix depicted this tale in its final moments. He captured as much destruction and chaos as possible, which is characteristic of the Romanticism style that this work was painted in. Beyond the pandemonium pictured, we see the main action of the painting taking place atop a large red bed. Figures are depicted in various disarray. One man wrangles one of the horses, while another lies at the foot of who we assume to be Sardanapalus. Trinkets surround the figures, indicating the wealth of Sardanapalus.
When Delacroix first exhibited The Death of Sardanapalus in 1828, the reviews were not stellar. This was primarily due to the fact that it wasn’t a traditional neoclassical painting with a clear hero. In fact, this work was quite literally the opposite with Sardanapalus playing the role of the anti-hero.